NOW THIS IS WINDOW SHOPPING

August 10, 2006 by marakurtz

August 8, 2006 — Polo Ralph Lauren Corp. is taking impulse shopping one step further with technology that allows passers-by to buy clothing they see in the windows of one of its New York stores by tapping on the glass.

Projected on the window of the Ralph Lauren Madison Avenue store is a 67-inch image of items including polo shirts and tennis ball boy or ball girl uniforms. Customers can shop even when the store is closed by clicking on the glass.

The futuristic Steven Spielberg movie “Minority Report” inspired the window.

Customers attracted to the clothes they see can buy them using a credit-card swiper mounted to the outside of the window.

A projector beams the images onto the window pane from the inside of the shop, while a thin touch foil mounted on the glass powers the touch screen. The store plans to keep the display up through Sept. 10

CBS IN YOUR REFRIGERATOR

August 10, 2006 by marakurtz

By DAVID S. JOACHIM
Published: July 17, 2006
NY TIMES

IN September, CBS plans to start using a new place to advertise its fall television lineup: your breakfast. The network plans to announce today that it will place laser imprints of its trademark eye insignia, as well as logos for some of its shows, on eggs — 35 million of them in September and October. CBS’s copywriters are referring to the medium as “egg-vertising,” hinting at the wordplay they have in store. Some of their planned slogans: “CSI” (“Crack the Case on CBS”); “The Amazing Race” (“Scramble to Win on CBS”); and “Shark” (“Hard-Boiled Drama.”). Variations on the ad for its Monday night lineup of comedy shows include “Shelling Out Laughs,” “Funny Side Up” and “Leave the Yolks to Us.”

George Schweitzer, president of the CBS marketing group, said he was hoping to generate some laughter in American kitchens. “We’ve gone through every possible sad takeoff on shelling and scrambling and frying,” he said, adding, “It’s a great way to reach people in an unexpected form.”
Newspapers, magazines and Web sites are so crowded with ads for entertainment programming that CBS was ready to try something different, Mr. Schweitzer said. The best thing about the egg concept was its intrusiveness.

“You can’t avoid it,” he said. He liked the idea so much that he arranged for CBS to be the only advertiser this fall to use the new etching technology. •The CBS ads are the first to use imprinting technology developed by a company called EggFusion, based in Deerfield, Ill. Bradley Parker, who founded the company, wanted to reassure shoppers that egg producers were not placing old eggs in new cartons, so he developed a laser-etching technique to put the expiration date directly on an egg during the washing and grading process.

EggFusion, which was founded in 2001, started production last year with one egg company, Radlo Foods, which has since produced 30 million Born Free brand farm-raised eggs with etching. In May, EggFusion landed its first large grocery chain, A.& P., which will use the imprints on 400,000 America’s Choice conventional eggs sold each day in A.& P., Waldbaum’s, Food Emporium and Super Fresh stores from Connecticut to Maryland. Mr. Parker, whose family runs a chicken farm in North Carolina, knew that the way to get egg producers to cooperate was to make it worth their while. His answer was advertising on eggs.

“It’s unlike any other ad medium in the world, because you are looking at the medium while you are using it,” he says.

Egg producers, distributors and retailers all share in the ad revenue. EggFusion is selling the ads on its own, but plans to enlist the help of advertising agencies, company executives said.
As EggFusion sees it, consumers look at a single egg shells at least a few times: when they open a carton in the store to see if any eggs are cracked, if they transfer them from the carton to the refrigerator, and when they crack them open.

Mr. Parker said the destination of eggs was tracked so precisely that he envisioned being able to offer localized advertising, even aiming at specific ZIP codes, to promote events like local food festivals and concerts. He is setting aside a portion of the ads for charities, too, he said. The imprint is applied in the packaging plant, as the eggs are washed, graded and “candled,” or inspected for flaws, when the eggs are held by calipers and moved along a production line at 225 feet a minute. Right before an egg is packaged, laser light is applied to the shell, giving it the etching. Each imprint takes 34 milliseconds to 73 milliseconds, so the processing of eggs is not appreciably slowed down, Mr. Parker said.

The etching is ultrathin, to a depth of 50 to 90 micrometers, or 5 percent of the shell’s thickness. The imprint cannot be altered without breaking the shell, Mr. Parker said, in contrast to Europe, where ink is used to apply expiration dates on eggs.

“Ink is alcohol dye, so it can be wiped off. And ink splatters,” he said.

A similar process to EggFusion’s has been used on a limited scale in the United States with fruits and vegetables, but mostly for replacing the price stickers used by grocers to track inventory and ring up an order.

It is not clear how commonly old eggs are placed in new cartons to appear fresher than they are. Repackaging is illegal, said Al Pope, president of the United Egg Producers industry group, and he says he believes it is rarely done. However, “If a consumer feels that having a date on the egg has some value, then it’s up to the consumer,” he said. “We believe in choices.”

Shaun M. Emerson, EggFusion’s chief executive, said: “I’m not sure you could ever know” how often repackaging old eggs occurs.

EggFusion has technicians assigned to each egg plant, and it owns the equipment and the freshness data, to ensure that no tampering occurs, the company’s executives said.

The eggs also carry a code that can be checked on a Web site, www.myfreshegg.com, to find out where the egg originated, the date it left the plant and the names of the distributor and retailer.
Both Radlo and A.& P. pay for the etchings — they will not say how much — but because A.& P.’s eggs will carry the CBS ads, it will also share in the ad revenue. But is egg-vertising an idea with staying power, or will the novelty expire after a few dozen bad puns?

“At this point it’s too early to tell,” Mr. Schweitzer of CBS acknowledges. “I think it’s like you know good ideas when you see them.”

THE GOOGLE GUY

July 20, 2006 by marakurtz

GOOGLE’S UNKNOWN ARTIST HAS HUGE FOLLOWING

By David E. Williams (CNN) Wednesday, July 19, 2006

Dennis Hwang may be the most famous unknown artist in the world — his work doesn’t hang in galleries or museums, but it’s been viewed hundreds of millions of times.

The 28-year-old webmaster designs the whimsical logos that decorate Google.com’s otherwise Spartan Web site on special occasions.

“It’s always a fun kind of challenge to incorporate the logo into the design. Over the years, just because I kind of push myself to use different types of design if I can,” Hwang said. (Have a look at Hwangs’s Google logos)

He has been manipulating the six letters in the Google name into shamrocks, fireworks, hearts and goblins since shortly after he got an internship there in 2000. Company founders Larry Page and Sergey Brin found out that he was an art major in college.

“They said ‘Hey Dennis, why don’t you give this a shot,’ and I’ve been doing it ever since,” he said.

Now he’s in charge of all Google’s webmasters, and designing the logos is only about 20 percent of his job — but that doesn’t mean it’s not a lot of work. Hwang said he had to do a string of all-nighters after he had what he called his “brilliant” idea to do individual designs for each of the 32 teams in this year’s World Cup soccer tournament.

The logos link to Google search results about the topic, which can drive a lot of traffic to unsuspecting sites.

“Sometimes we unfortunately take some sites down, so we have to cycle through different search queries midday,” he said. “But, yeah, it’s kind of the fun aspect of it that users can do more research about a topic or find out more about it on their own if they’re not as familiar about what we’re recognizing.”

John Malyon, president of the online art guide Artcyclopedia.com, said his site got a huge surge in traffic in April when Google featured Spanish surrealist painter Joan Miro. He said he got tens of thousands of extra clicks.

“It didn’t cause any server problems or anything. It just took me a while to track down what was happening,” Malyon said. “You sort of come in, you turn on your server and look at your stats and they’re wildly inflated, so you then have to do some detective work.”

Malyon said most of the traffic appeared to be “curiosity clicks” — people who were more interested in the logo than in the artist’s work. He said the surge probably didn’t help his business much, but he appreciated the interest.

“I’m quite happy, and every webmaster in the world is happy to have as many people as possible see their babies, but it’s not the most targeted traffic in the world,” he said.

Hwang said users e-mail from all over the world to praise the designs or petition for new ones.

Hwang said they did a logo for the Persian New Year after a huge online campaign and that the National Library Day design was very popular.

“That one was a huge hit among librarians across the whole country,” he said. They even sent me library-related cool toys and hats things like that. One was even a librarian action figure with ’shushing action’ so that was really funny.”

He said he meets a few times a year with a small group of Google staffers to decide which events to cover.

“We talk about interesting holidays that are coming up, or various international holidays or any current events or news events that we think are cool and geeky or ‘Google-y’ in some sense and then we just sort of give it a go,” he said.

Hwang said his favorite was the birthday series honoring Michelangelo, Picasso, Van Gogh and other famous artists.

“Having been a student of art history for a long time those are a little bit more personal,” Hwang said. “Of course, trying to mimic the style of a master is always difficult and humbling, so it does take a lot more time to do those, but it’s also a lot more fun.”

But, like any proud parent, he would not say which one was his favorite.

“If you had me picking just one, I don’t think I could. They’re just all kind of special in their own little way.”

http://www.cnn.com/2006/TECH/internet/07/19/google.logo/index.html

(Thanks to Sean for the link).

July 20, 2006 by marakurtz

IMPORTANT PHOTOGRAPHY SHOW AT THE MET

July 13, 2006 by marakurtz

Susan Sontag’s book of essays, “On Photography” is one of the great texts containing unique insights and ideas about photography. As a critic, an observer of culture, and a wide-ranging intellectual, Sontag’s perspective is fascinating.

Asked in 1975 why she decided to write about photography, Sontag said: “Because I’ve had the experience of being obsessed by photographs. And because virtually all the important aesthetic, moral, and political problems—the question of ‘modernity’ itself and of ‘modernist’ taste—are played out in photography’s relatively brief history.”

The Metropolitan Museum’s current show, “A Tribute to Susan Sontag,” includes text from Sontag along with classic images from some of the great master photographers: Julia Margaret Cameron, Edward Steichen, Eugène Atget, Walker Evans, Edward Weston, Robert Frank, Andy Warhol, and Peter Hujar. Don’t miss it!

On Photography: A Tribute to Susan Sontag

June 6, 2006–September 4, 2006
The Howard Gilman Gallery
A major force in New York intellectual life for over 40 years, the novelist, essayist, and critic Susan Sontag (1933–2004) was renowned for her brilliant and impassioned writing on photography. This exhibition of some 40 photographs drawn from the Metropolitan’s collection pays tribute to Sontag’s extraordinary contribution to the history of the medium. Nearly all the text in the exhibition is drawn from Sontag’s own vividly aphoristic prose. In some cases, the photographs relate directly to her discussions of individual works or photographers, among them August Sander, Edward Weston, Diane Arbus, and Robert Mapplethorpe. In other cases, small groupings of photographs provide a visual complement to broader insights and ideas about the medium and the ways in which it has shaped our world.

TWO FAVORITE TYPE FOUNDRIES

July 13, 2006 by marakurtz

Here are links to two small, very interesting type foundries that are among my favorites:

THE FOUNDRY is located in England. This company offer two collections: Foundry Collection and Archetype Collection, both of which consist of unusual fonts. In the Foundry group, Gridnick is popular and has been used editorially in NY Magazine. In the Archetype section, you will find a group of Bauhaus/DADA-influenced display fonts such as Architype Van Doesburg, Architype Albers-Type, Architype Ballmer, Architype Tschichold, Architype Schwitters, Architype Bill, Architype Bayer and Architype Renner, a font containing Futura alternate characters like the quirky lowercase a and r.

http://www.foundrytypes.co.uk/

MISPRINTED TYPE is the one-man show run by Eduafrdo Recife, a very talented Brazilian designer. In addition to creating typefaces, Recife is a wonderful collage artist, photographer and illustrator. The site offers both free and commercial fonts. My favorite is called Porcelain. Be sure to take a look at his collages, they are exceptional. I hope he will come to New York one of these days.

http://www.misprintedtype.com/v3/

NANO and NIKE

July 13, 2006 by marakurtz

Two companies noted for their design influence, Apple and Nike, have teamed up to sell a new line of interactive fitness products known as Nike+iPod. The first product is the Nike+iPod Sports Kit, which lets certain Nike shoes wirelessly send data to an iPod Nano.

The system measures time, distance, calories burned, and pace, and displays (and stores) it on the iPod. Users can later upload that info to Nike’s website to track progress. The iPod also offers real-time audible feedback. Nike will add a Nike Sport Music section to the iTunes Music Store. Smart, huh?

Here’s a video to show you how it works:

http://www.gizmodo.com/gadgets/portable-media/ipod-nike-shoe-video-178157.php

DADA at MOMA

July 13, 2006 by marakurtz

Look at this wonderful introduction to the DADA show on the MOMA site:
http://www.moma.org/exhibitions/2006/dada/index_f.html
Then, go see the show. There’s nothing better than Dada!!!

HOEFLER & FRERE-JONES: The Latest

July 13, 2006 by marakurtz

Jonathan and Tobias always have new surprises for us. The latest:

Verlag: A sans serif in 30 styles
and
If you love numbers like I love numbers – they have designed a whole wonderful group:

“The fifteen fonts in the Numbers series take their inspiration not from the history of printing types, but from other kinds of numbering familiar from the modern environment. Playing card numbers, instantly recognizable even out of context, have been revived as the Deuce typeface. The forms in the Greenback font are familiar from the U. S. dollar. Other fonts in the series draw inspiration from more distant sources, from vintage railroad cars to Soviet street signs.”

Enjoy.

EMIGRE site redesign

July 12, 2006 by marakurtz

Well, well, well! Rudy has redesigned the Emigre website. The old red and white site, which looked a lot like elaborate instructions for building an air conditioning system for the NASA space center, is gone. I will actually miss it. I came to appreciate the industrial, functional appearance of the site, the ultimate example of no frills. But, a lot of changes are taking place at Emigre – so here we have the new iteration. What do you think?